Dancers Vyjayanthi Kashi and Prateeksha Kashi regarding the relationship the mother-daughter duo stocks on / off the phase

Dancers Vyjayanthi Kashi and Prateeksha Kashi regarding the relationship the mother-daughter duo stocks on / off the phase

The duo walks straight straight straight down memory lane to supply insights in their characters, approach to focus and a vital assessment of this other as a Kuchipudi artiste

Vyjayanthi Kashi and Prateeksha Kashi share a relationship that includes facets that are many guru and shishya, co-performers on phase and mom and child. Whenever Prateeksha performed a Kuchipudi solamente during the Soorya Festival when you look at the Parampara show, where young dancers spend their tribute for their experts, and Vyjayanthi dparampara — the tradition — alive.

A conversation that is free-flowing the duo had not been just a walk down memory lane but in addition offered insights to their characters, approach to function and a vital assessment associated with other being a Kuchipudi artiste.

Vyjayanthi used Kuchipudi at a right time as soon as the trained in therefore the training of this party kind had been restricted primarily to Andhraites. The dancer, who had learnt Bharatanatyam, wished to pursue a various party industry. Using motivation from an aunt that has pursued Odissi, Vyjayanthi made a decision to discover the party type. She later made a decision to train under Kuchipudi Guru CR Acharya after viewing him perform Chitra Natyam.

“He used to phone me personally their dance daughter! ” says Vyjayanthi by having a laugh, as she remembers the experts whom moulded her — Ramanna, Vedantam Prahlada Sarma, Korada Narasimha Rao, Satyanarayana Sarma and Vempatti Chinnasatyam amongst others.

For Prateeksha, it absolutely was a story that is different. She was in fact watching and dance that is absorbing her house. Nevertheless, whenever it stumbled on learning a dance kind, her mom left the decision to her — and her option ended up being Odissi! “But I discovered it too tough to learn; the trained instructor had been strict and irregular. It a miss, ” says Prateeksha, who went back to Kuchipudi so I decided to give.

Although in the beginning she had been playful and nasty during her classes, seeing a lot more of her mom within the Guru, she matured to the part of a student that is serious the years.

Vyjayanthi Kashi and child Prateeksha Kashi | Photo Credit: Unique arrangement

Now, as a true title to take into consideration, how exactly does Prateeksha see by by herself? “I am nevertheless trying to soak up whenever you can from my mom. While planning for a brand new manufacturing, she constantly seeks my views and lets me experiment. During the minute, i will be pleased to simply take motivation from her work. This woman is overseeing might work until we have a firm foothold, once I can endeavor by myself, ” says Prateeksha.

Vyjayanthi has generated unique productions that feature the duo that is mother-daughter. One of these, in line with the colour red, ended up being presented recently in the usa and Canada. “Red evokes emotions that are different’ says Prateeksha, elaborating regarding the theme. “The red bindi additionally the gown for the bride evoke shringara, while for small Prahlada, the red bloodstream gushing away from Hiranyakashyap, killed by Narasimha, create fear, bhayanaka. Therefore, for the presentation, we linked red to the navarasas. ”

‘Antaranga tharanga’ is just a manufacturing on the basis of the theme of motherly love. With Sita along with her mom, Bhoomi Devi, because the primary figures, this dance assumes on another hue completely whenever done by the mom as well as the child.

Performing together

Therefore, what is it truly like to execute together on phase? There is certainly tremendous synergy, agrees the duo. “Sometimes, I notice Prateeksha emoting in brand new methods which come as being a surprise that is delightful” claims Vyjayanthi, incorporating that every pupil has her/his very very own unique means of expressing a bhava.

The aspect that she admires most in her own child may be the lasya inside her party. “This could very well be whereas I have been trained mostly by male gurus and the thandava comes easily to me, ” says Vyjayanthi because she has a female guru. She continues to state that she really loves her daughter’s subtlety and also the nuances she provides to her expressions.

Prateeksha, on her behalf component, admires her mother’s spontaneity that often challenges her whenever she executes alongside. She additionally appreciates involvement that is vyjayanthi’s any character, from the comfort of whenever a manufacturing is conceptualised. “She should be thinking, getting a few variations regarding the script and accepting it only if it reflects precisely what she would like to convey, ” says Prateeksha.

One notices the component of spirituality and philosophical insights that Vyjayanthi imparts to her productions. “It arises from my experience. The virtue and goodness besides, the very purpose of art is to convey the sattva. Without sattva, there’s absolutely no party. The things I make an effort to do would be to have a religious subject and interpret it in a modern way to contact the viewers, ” concludes Vyjayanthi.

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